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  • LOCATION

    London, UK

  • CATEGORY

    Offices

  • ARCHITECT

    TP Bennett

  • PHOTOGRAPHY

    Chelsea lighting

A 6-metre high cascade of Gregg lamps welcomes visitors to the historic headquarters of the Holman Fenwick Willan consulting firm in the heart of London. The volumes of the lamps are repeated in a vortex of light with a near-aquatic glow, which emphasises the impressive height of the semicircular glazing. Their free arrangement adds character, breaking the linearity of the building.

  • LOCATION

    Venice, Italy

  • CATEGORY

    Installations / Outdoor

The versatile outdoor collection of Foscarini lamps characterised the splendid outdoor spaces of the Venice Arsenale during the Art and Architecture Biennali from 2008 to 2014. Havana, with its distinctive cigar shape and soft light, creates delightful scenes through the repetition of volume; Solar, with its dual function, becomes a contemporary hearth that invites you to get together and chat out in the open air; Gregg Outdoor, with its pleasantly organic shape, allows you to create evocative compositions and magical atmospheres.

  • LOCATION

    Venice, Italy

  • CATEGORY

    Bar & Restaurants

The industrial architecture of the Le Bombarde restaurant, which is part of the Venice Arsenale buildings, was transformed to take on a new personality with various Foscarini lamps during the Art and Architecture Biennali from 2008 to 2014. Featuring exposed bricks and iron elements, the industrial space takes on a transformist accent: playful and lively with Uto, more refined and ethereal with the volumes of Gregg and Havana.

  • LOCATION

    Madrid, Spain

  • CATEGORY

    Bar & Restaurants

  • ARCHITECT

    Stone Designs

  • PHOTOGRAPHY

    Alberto Monteagudo

With a theatrical feel, the Yakiniku Rikyu restaurant project makes clever use of two lamps from the Foscarini catalogue, which are remarkably different in shape, material and type of light. Spokes, with its lightweight, hollow body defined by a metal mesh, offers both direct and diffused light, while Gregg, with a white glass body with a pleasantly organic shape, emits a soft diffused light. The two lamps coexist harmoniously, both maintaining a strong personality and characterising the space, almost visually delineating two distinct environments.



  • LOCATION

    Lisbon, Portugal

  • CATEGORY

    Hotel

  • ARCHITECT

    PROAP – João Nunes, Iñaki Zoilo

  • PHOTOGRAPHY

    Kirsten Michl

The Gregg lamps blend in harmoniously with the white of the hotel’s outdoor communal areas, formerly a convent. Cosy, strategically placed gazebos create more private and intimate spaces in the large open space. Within these islands, the organic and soft shapes of the Gregg outdoor lamps, arranged in various sizes and heights, contribute to decorating, lighting and softening the clean-cut architecture and harsh geometry of the square.

  • LOCATION

    Barcelona, Spain

  • CATEGORY

    Hotel

  • ARCHITECT

    Alonso, Balaguer y Arquitectos Asociados

The storeys of the art-hotel are structured around the main staircase. This architectural feature preserves the building’s original layout and has been enhanced with small Gregg wall lamps. Organic shapes with a warm, soft glow are proposed in the suspension lamp version in the hotel rooms.

  • LOCATION

    Milan, Italy

  • CATEGORY

    Museums & Cultural Spaces

  • ARCHITECT

    Luca Rolla, Alberto Bertini

  • PHOTOGRAPHY

    Luca Rolla, Alberto Bertini, Gianmarco Corradi

The Pollaiolo Terrace, inside the museum, is a place of rest – not only for the body, but also for the mind – a place to spend a few hours in contact with beauty. A “starry sky” of Foscarini lamps lights up the terrace with different scenarios that vary according to the time of day.

  • LOCATION

    Zurich, Switzerland

  • CATEGORY

    Offices

  • ARCHITECT

    Evolution Design

  • PHOTOGRAPHY

    Peter Wurmli

At Google’s offices in Zurich, Foscarini lamps blend in seamlessly with an informal and dynamic setting characterised by colourful furnishings, where round volumes and square silhouettes come together. The Gregg suspension lamps, uniquely positioned in the reception area, play with different sizes and heights, standing out with their characteristic organic white volume against the concrete wall that serves as the backdrop to the reception.

  • LOCATION

    Byron Bay, Australia

  • CATEGORY

    Hotel

  • ARCHITECT

    Luchetti Krelle

  • PHOTOGRAPHY

    Michael Wee

Set in a lush subtropical rainforest, this boutique hotel is an oasis of peace and quiet to celebrate the beauty of nature. The interior blends harmoniously with the exterior, even in the choice of lamps – Rituals, Gregg, Havana: white volumes that are naturally embedded into the setting, elegantly emerging in contrast to the impressive green and natural wood. In the main room, a composition of Rituals suspension lamps becomes the focus point, distinguishing the space with a warm brightness.

  • LOCATION

    Zafferana Etnea, Italy

  • CATEGORY

    Hotel

  • ARCHITECT

    Guido Coffa, Ada Calabrese and Giuseppe Merendino

Nestled in the Sicilian countryside, a 19th Century villa becomes a boutique hotel that plays host to an eclectic collection of international design and antiques. Foscarini’s Lumiere, Gregg and Rituals lamps fit harmoniously well with the setting where Baroque gargoyles, natural materials and traditional decorations coexist elegantly with modern features. Foscarini’s research into blown glass lamps offers a variety of unique personalities and characters, allowing the designer to customise each room in a distinctive way.



  • LOCATION

    La Thuile, Italy

  • CATEGORY

    Hotel

  • ARCHITECT

    Studio Del Portico

  • PHOTOGRAPHY

    Andrea Martiradonna

The interior design project of Nira Montana Hotel aims to extend the emotional characteristics typically found in natural materials to modern elements too. For the lighting, several lamps were selected from the Foscarini catalogue, with various finishes and materials – from glass in Gregg and Rituals, to cement in Aplomb, and polycarbonate in Birdie. The lamps merge harmoniously with the natural materials and warm hues, becoming an integral part of the welcoming atmosphere of this mountain hotel.

  • LOCATION

    Santorini, Greece

  • CATEGORY

    Hotel

  • ARCHITECT

    Kapyesmalis Architects

  • PHOTOGRAPHY

    Giorgos Sfakianakis

Perched on the volcanic rocks of Santorini, the exclusive Saint Hotel stretches across seven levels, mimicking the topographic curves of the hill. The interior design project relies on the Foscarini catalogue to create a familiar and welcoming setting that combines a homelike atmosphere with the exclusiveness of a hotel. The variety of the Foscarini catalogue is key to this project thanks to its diversity of materials, shapes, functions and types of lighting, offering unique solutions to distinguish each space in a bespoke manner.

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