{"id":478421,"date":"2026-05-05T13:00:30","date_gmt":"2026-05-05T13:00:30","guid":{"rendered":"https:\/\/www.foscarini.com\/frelly\/"},"modified":"2026-05-07T12:38:19","modified_gmt":"2026-05-07T12:38:19","slug":"frelly","status":"publish","type":"post","link":"https:\/\/www.foscarini.com\/fr\/frelly\/","title":{"rendered":"Les histoires naissent des d\u00e9tails : Frelly pour What\u2019s in a Lamp ?"},"content":{"rendered":"
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Couleurs pastel, lignes essentielles et mondes surr\u00e9alistes o\u00f9 le r\u00eave rencontre la r\u00e9alit\u00e9. Pour What\u2019s in a Lamp?, Frelly construit une s\u00e9rie dans laquelle chaque lampe Foscarini devient une coiffe \u00e0 porter, transformant des objets de design en pr\u00e9sences vivantes che d\u00e9finissent l\u2019espace autour de celui qui les porte.<\/p>\n<\/div>\n \n D\u00e9couvrez l’int\u00e9gralit\u00e9 du projet \u00ab What\u2019s in a lamp? \u00bb <\/a>\n <\/div>\n<\/section>

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Enrico Focarelli Barone, alias Frelly, dessine des images qui naissent d\u2019une sensation. \u00ab Je pars d\u2019un d\u00e9tail \u2014 une figure, une lumi\u00e8re \u2014 et je laisse tout il reste \u00e9merger, en \u00e9quilibre tra r\u00e9alit\u00e9 et imagination \u00bb, dit-il.
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\nIllustrateur sp\u00e9cialis\u00e9 en dessin \u00e9ditorial et illustration conceptuelle, Frelly a cr\u00e9\u00e9 un langage visuel fait de palettes r\u00e9duites, de grands aplats de couleur et de figures suspendues entre r\u00e9alit\u00e9 et imagination. Dans la s\u00e9rie r\u00e9alis\u00e9e pour What\u2019s in a Lamp?, les lampes Foscarini deviennent des coiffes port\u00e9es par des femmes du monde entier. Non pas des objets d\u00e9coratifs, mais des pr\u00e9sences qui modifient la silhouette et la perception de l\u2019espace. Dans chaque illustration se cr\u00e9e ainsi un moment suspendu, o\u00f9 la forme s\u2019exprime avant m\u00eame l\u2019histoire.<\/p>\n<\/div>\n <\/div>\n<\/section>

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Comment expliquerais-tu ton travail \u00e0 quelqu\u2019un qui ne peut pas le voir ?<\/strong>
\nJe dessine des images qui naissent d\u2019une sensation. Je pars d\u2019un d\u00e9tail \u2014 une figure, une lumi\u00e8re \u2014 et je laisse tout le reste \u00e9merger, en \u00e9quilibre entre r\u00e9alit\u00e9 et imagination. La couleur joue un r\u00f4le fondamental : peu de nuances, de grands aplats, pour construire une atmosph\u00e8re et une \u00e9motion.
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\nComment transforme-t-on une histoire en illustration ?<\/strong>
\nSouvent, je pars sans histoire pr\u00e9cise. Je commence \u00e0 dessiner et je me laisse guider : \u00e0 un certain moment, c\u2019est l\u2019image elle-m\u00eame qui commence \u00e0 raconter.
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\nTu as interpr\u00e9t\u00e9 les lampes Foscarini comme des chapeaux. Comment cette id\u00e9e t\u2019est-elle venue ?<\/strong>
\nElle est n\u00e9e en observant les formes. Certaines lampes avaient d\u00e9j\u00e0 quelque chose d\u2019”arborable”, et les transformer en coiffes a \u00e9t\u00e9 un passage presque naturel.
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\nQuelles histoires racontent ces illustrations ?<\/strong>
\nElles racontent des moments suspendus. Dans ce cas pr\u00e9cis, je suis aussi parti de poses et de r\u00e9f\u00e9rences r\u00e9elles, en laissant les formes \u2014 du corps, des v\u00eatements et des lampes \u2014 me guider.
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\nLes femmes qui portent ces chapeaux-lampes viennent du monde entier : comment \u00e9viter les st\u00e9r\u00e9otypes lorsqu\u2019on travaille sur un tel th\u00e8me ?<\/strong>
\nEn travaillant par soustraction. J\u2019\u00e9vite les d\u00e9tails trop explicites et je cherche un \u00e9quilibre plus essentiel, en laissant place \u00e0 l\u2019interpr\u00e9tation.<\/p>\n<\/div>\n <\/div>\n<\/section>

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Comment fait-on na\u00eetre une histoire \u00e0 partir d\u2019un objet, d\u2019un espace o d\u2019une situation ?<\/strong>
\nJe commence par dessiner et par mettre les \u00e9l\u00e9ments en relation. Parfois, un petit d\u00e9calage suffit pour que l\u2019image commence \u00e0 sugg\u00e9rer une histoire.
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\nComment naissent les concepts de tes projets ?<\/strong>
\nDu dessin. Je suis une intuition initiale et je la laisse se d\u00e9velopper en cours de route, jusqu\u2019\u00e0 ce qu\u2019elle devienne une id\u00e9e claire.
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\nEt comment se transforment-ils ensuite en illustrations ?<\/strong>
\nEn simplifiant et en travaillant sur l\u2019\u00e9quilibre. Peu d\u2019\u00e9l\u00e9ments, de grands aplats de couleur et une palette r\u00e9duite \u2014 g\u00e9n\u00e9ralement quatre ou cinq couleurs \u2014 pour donner force et coh\u00e9rence \u00e0 l\u2019image.
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\nQuand sens-tu qu\u2019une illustration est finie et qu\u2019elle fonctionne ?<\/strong>
\nQuand il n\u2019y a plus rien \u00e0 enlever et que tout est en \u00e9quilibre : formes, espaces et couleurs.
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\nQuelle est l\u2019histoire que tu aimerais le plus illustrer et pourquoi ?<\/strong>
\nJe ne saurais donner de r\u00e9ponse pr\u00e9cise, il y a tant d\u2019histoires qui attendent d\u2019\u00eatre racont\u00e9es\u2026 J\u2019esp\u00e8re une belle histoire.
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\nQu\u2019est-ce que la cr\u00e9ativit\u00e9 pour toi ?<\/strong>
\nPour moi, la cr\u00e9ativit\u00e9, c\u2019est partir d\u2019une intuition et la laisser grandir en suivant ses \u00e9motions, en tirant son inspiration de ce qui nous entoure. C\u2019est la capacit\u00e9 de transformer en r\u00e9alit\u00e9 ce qui vit dans l\u2019esprit.<\/p>\n<\/div>\n <\/div>\n<\/section>

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D\u00e9couvrez la collaboration avec Enrico Focarelli et la s\u00e9rie compl\u00e8te sur la page Instagram @foscarinilamps, et explorez toutes les interpr\u00e9tations du projet What\u2019s in a Lamp?, o\u00f9 des artistes internationaux sont invit\u00e9s \u00e0 interpr\u00e9ter librement la lumi\u00e8re et les collections Foscarini.<\/p>\n<\/div>\n \n Visitez @foscarinilamps sur Instagram <\/a>\n <\/div>\n<\/section>

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