{"id":34047,"date":"2022-11-25T08:42:00","date_gmt":"2022-11-25T08:42:00","guid":{"rendered":"https:\/\/www.foscarini.com\/james-vs-wines-the-highrise-of-meanings\/"},"modified":"2024-03-12T20:33:43","modified_gmt":"2024-03-12T20:33:43","slug":"james-vs-wines-the-highrise-of-meanings","status":"publish","type":"post","link":"https:\/\/www.foscarini.com\/fr\/james-vs-wines-the-highrise-of-meanings\/","title":{"rendered":"James vs Wines \u2013 The Highrise of Meanings"},"content":{"rendered":"
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R\u00e9alis\u00e9 par Gianluca Vassallo, produit par Foscarini et White Box Studio, le film raconte l’histoire de l’ic\u00f4ne de l’architecture radicale et fondateur du groupe SITE James Wines, en \u00e9tudiant le rapport \u00e9troit entre l’artiste et l’individu, entre la figure publique de l’architecte Wines et celle plus intime et priv\u00e9e de l’homme James.<\/h2>\n<\/div>\n <\/div>\n<\/section>
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Ayant pass\u00e9 sa vie \u00e0 imaginer un monde dans lequel tout est d\u00e9construit, ironique, renvers\u00e9, audacieux et cultiv\u00e9, Wines est confront\u00e9 \u00e0 la fa\u00e7on dont \u00ab le monde \u00bb le voit, dans une histoire collective sur l’artiste-architecte, qui devient aussi un film sur l’impact de la pens\u00e9e lat\u00e9rale dans la communaut\u00e9, chez les individus, dans les processus de changement qui traversent le monde.<\/p>\n

L’histoire de la collaboration entre Foscarini et James Wines s’\u00e9tend sur pr\u00e8s de 30 ans. Ses racines remontent \u00e0 1991, avec Table Light \/ Wall Light, la premi\u00e8re pi\u00e8ce cr\u00e9\u00e9e par Foscarini avec le groupe SITE de Wines. Quelques ann\u00e9es plus tard, les chemins de Foscarini et de SITE se sont \u00e0 nouveau crois\u00e9s, gr\u00e2ce \u00e0 un profil d\u00e9taill\u00e9 publi\u00e9 dans Inventario (le book-zine lanc\u00e9 par Foscarini en 2010 comme une fa\u00e7on originale et ind\u00e9pendante d’enqu\u00eater sur le monde de la cr\u00e9ativit\u00e9 et de la culture du design).
\nAinsi est n\u00e9e l’id\u00e9e de Foscarini de relancer le premier projet, en le transformant en \u00e9ditions de lampes et d’objets : \u00ab The Light Bulb Series \u00bb est une collection de design qui d\u00e9coule d’une r\u00e9flexion sur l’ampoule \u00e9lectrique en tant qu’arch\u00e9type, avec sa forme typique d’ampoule, d\u00e9clin\u00e9e en une s\u00e9rie de provocations surprenantes.<\/p>\n

Aujourd’hui, Foscarini, avec son esprit libre, laisse compl\u00e8tement la place \u00e0 Vassallo et Wines, un ma\u00eetre de l’architecture contemporaine et avant-gardiste \u00bb.<\/p>\n<\/div>\n <\/div>\n<\/section>

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\u00ab Enqu\u00eater sur la profondeur humaine, c’est \u00e0 cela que sert le cin\u00e9ma selon moi ; c’est \u00e0 cela, encore plus, que sert le cin\u00e9ma documentaire. Il aurait \u00e9t\u00e9 facile de d\u00e9nicher d’excellents documents d’archives, de les associer \u00e0 une interview et de servir au public une nouvelle c\u00e9l\u00e9bration d’un artiste et de son \u0153uvre. Mais la t\u00e2che de celui qui, comme moi, dans la production du sens – cin\u00e9matographique ou photographique – apporte ses angoisses, ses curiosit\u00e9s, un aper\u00e7u du monde qui cherche \u00e0 se clarifier, face \u00e0 une personnalit\u00e9 comme celle de Wines, ne peut que rechercher la complexit\u00e9 de l’homme qui nourrit la gr\u00e2ce du g\u00e9nie, ne peut qu’enqu\u00eater sur la profondeur, les idiosyncrasies, les peurs, le chaos de James, plut\u00f4t que sur la gloire de Wines \u00bb.<\/p>\n<\/div>\n

Gianluca Vassallo
\n\/ r\u00e9alisateur du film<\/p>\n<\/div>\n <\/div>\n<\/section>

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Tourn\u00e9 \u00e0 New York NY, Watertown MN, Washington DC, Miami, Stone Ridge NY et Rome entre octobre 2021 et f\u00e9vrier 2022, le film a \u00e9t\u00e9 s\u00e9lectionn\u00e9 par les commissaires du Milano Design Film Festival 2022, l’\u00e9v\u00e9nement annuel qui, depuis dix ans, utilise le cin\u00e9ma pour rapprocher le grand public des concepts les plus contemporains du design et de l’architecture, vus sous des angles non conventionnels.<\/p>\n<\/div>\n <\/div>\n<\/section>

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