{"id":33627,"date":"2021-12-01T14:39:00","date_gmt":"2021-12-01T14:39:00","guid":{"rendered":"https:\/\/www.foscarini.com\/un-voyage-dans-le-temps\/"},"modified":"2024-03-12T11:06:19","modified_gmt":"2024-03-12T11:06:19","slug":"un-voyage-dans-le-temps","status":"publish","type":"post","link":"https:\/\/www.foscarini.com\/fr\/un-voyage-dans-le-temps\/","title":{"rendered":"Un voyage dans le temps"},"content":{"rendered":"
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Avec ses diapositives couleur et ses images d\u2019\u00e9poque, le projet photographique de Massimo Gardone pour Foscarini nous emm\u00e8ne au fil d\u2019un voyage dans le temps, gr\u00e2ce \u00e0 une lampe et \u00e0 sa lumi\u00e8re.<\/h2>\n<\/div>\n <\/div>\n<\/section>
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\u00ab C\u2019est toujours une question d\u2019intuition \u00bb : le projet photographique cr\u00e9\u00e9 par Massimo Gardone pour Foscarini part d\u2019une intuition et prend forme \u00e0 travers son regard po\u00e9tique, gr\u00e2ce \u00e0 une petite lampe aux lignes simples et essentielles, plac\u00e9e dans des lieux et situations d\u2019une autre \u00e9poque.
\nDes fragments noirs et blancs arrach\u00e9s au temps, avec tout leur charme fascinant, reprennent vie gr\u00e2ce \u00e0 une superposition virtuelle et vertueuse d\u2019images, utilisant des diapositives pour cr\u00e9er un secteur de couleurs allum\u00e9 par une touche lumineuse : celle de Birdie Easy, la lampe cr\u00e9\u00e9e pour le march\u00e9 contractuel, qui, dans l\u2019interpr\u00e9tation poignante du photographe, transporte les sc\u00e8nes du pass\u00e9 vers le pr\u00e9sent.<\/p>\n<\/div>\n <\/div>\n<\/section>

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\u00ab Quand Foscarini m\u2019a demand\u00e9 d\u2019interpr\u00e9ter les emplacements possibles des nouvelles lampes Birdie, l\u2019id\u00e9e s\u2019est form\u00e9e dans mon esprit de les ins\u00e9rer dans des tableaux historiques et des d\u00e9cors d\u2019\u00e9poque \u00e9vocateurs. Ce n\u2019est que lorsqu\u2019il m\u2019a sembl\u00e9 voir le regard de Joan Holloway, de la s\u00e9rie Mad Men, dans celui de la jeune femme assise sur une chaise au dixi\u00e8me \u00e9tage de l\u2019h\u00f4tel Rossiya \u00e0 Moscou, dans une image r\u00e9alis\u00e9e en 1966, que j\u2019ai compris comment l\u2019atmosph\u00e8re de ces pr\u00e9cieuses images en noir et blanc pouvait \u00eatre la bonne : notre narration commence ici, en utilisant des photographies provenant d\u2019une exceptionnelle archive d\u2019images. \u00bb<\/p>\n<\/div>\n

MASSIMO GARDONE
\n\/ PHOTOGRAPHE<\/strong><\/p>\n<\/div>\n <\/div>\n<\/section>

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Le projet de Massimo Gardone devient ainsi une s\u00e9quence de moments captur\u00e9s dans les archives historiques de Bridgeman Images, qui nous entra\u00eenent dans le New York du d\u00e9but du si\u00e8cle dernier en passant, au fil des ann\u00e9es, du salon du Knickerbocker Hotel \u00e0 la v\u00e9randa du Park Avenue Hotel ou au salon du White Hotel, avant d\u2019atteindre Londres, dans la salle de lecture du YMCA, une chambre du Copley Plaza Hotel de Boston en 1937, jusqu\u2019\u00e0 la visite d\u2019une suite de l\u2019Oriental Hotel de Bangkok des ann\u00e9es 1980.
\nSur les photos vintage en noir et blanc, une diapositive 6×6 a \u00e9t\u00e9 superpos\u00e9e, pour imaginer la Birdie Easy transport\u00e9e dans ce m\u00eame cadre d\u2019\u00e9poque.<\/p>\n<\/div>\n <\/div>\n<\/section>

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\u00ab Comme par magie, dans ce petit carr\u00e9 de lumi\u00e8re qui remplit la sc\u00e8ne, les couleurs trouvent leur chemin parmi les gris, l\u2019alchimie entre l\u2019analogique et le num\u00e9rique se produit soudainement. Chaque image est un film, chaque image nous fait nous envoler et atterrir ailleurs. \u00bb<\/p>\n<\/div>\n

MASSIMO GARDONE
\n\/ PHOTOGRAPHE<\/strong><\/p>\n<\/div>\n <\/div>\n<\/section>

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