{"id":474779,"date":"2025-12-22T14:47:15","date_gmt":"2025-12-22T14:47:15","guid":{"rendered":"https:\/\/www.foscarini.com\/inventario\/inventario-19\/"},"modified":"2025-12-22T15:01:59","modified_gmt":"2025-12-22T15:01:59","slug":"inventario-19","status":"publish","type":"inventario","link":"https:\/\/www.foscarini.com\/fr\/inventario\/inventario-19\/","title":{"rendered":"Inventario \u00b019"},"content":{"rendered":"
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Inventario \u00b019<\/h2>\n<\/a>\n
<\/div>\n Commandez votre exemplaire<\/a>\n <\/div>\n
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    INVENTARIO 19
    \nTout est projet
    \n21 x 27 cm | 160 pages | livre broch\u00e9 | 10,00 \u20ac
    \nTextes en italien et en anglais
    \nISBN 9791254931677<\/p>\n<\/div>\n <\/li>\n

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    Un projet \u00e9ditorial con\u00e7u et dirig\u00e9 par Beppe Finessi, publi\u00e9 par Corraini, promu et soutenu par Foscarini.<\/p>\n<\/div>\n <\/li>\n <\/ul>\n\n <\/div>\n

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    Depuis 2010, Inventario est un espace de recherche et de narration d\u00e9di\u00e9 \u00e0 la culture du projet : un projet \u00e9ditorial qui tisse disciplines, auteurs et visions au sein d\u2019un r\u00e9cit choral, affranchi des logiques commerciales.<\/h2>\n<\/div>\n

    Inventario 19 se d\u00e9ploie comme un parcours \u00e0 travers les outils, les \u0153uvres et les dispositifs de la pratique artistique et du projet, mettant en relation des approches diverses gr\u00e2ce \u00e0 des contributions critiques et des r\u00e9cits visuels. La palette, \u00e9galement \u00e9voqu\u00e9e sur la couverture, devient la m\u00e9taphore d\u2019une approche ouverte de la recherche et accompagne le texte de Franco Toselli, qui introduit le num\u00e9ro avec un regard d\u2019auteur. Marta Elisa Cecchi pr\u00e9sente l\u2019Exercice de style de l\u2019artiste conceptuel allemand Florian Slotawa et son \u0153uvre Garden Tools, une r\u00e9flexion sur le ready-made et les potentialit\u00e9s de la variation s\u00e9rielle. Stefania Di Maria propose une vaste exploration du cadre, interpr\u00e9t\u00e9 comme seuil, \u00e9l\u00e9ment architectural et espace d\u2019exp\u00e9rimentation, tandis qu\u2019Andrea Pinotti approfondit le travail de Cec\u00e9 Casile, qui con\u00e7oit et r\u00e9alise depuis plus de quarante ans des cadres en \u00e9troite relation avec les \u0153uvres qu\u2019ils accueillent, en particulier des photographies de ma\u00eetres tels que Luigi Ghirri et Arno Hammacher.<\/p>\n

    Chiara Fauda Pichet \u00e9voque le projet po\u00e9tique du morceau de sucre Le Bateau Ivre, imagin\u00e9 par Enrico Azzimonti et Jordi Pigem. Dans la rubrique Assoluti, Alessia Righi signe une contribution critique consacr\u00e9e \u00e0 Segno Croce d\u2019Armando Testa, accompagn\u00e9e de l\u2019essai de Mario Piazza consacr\u00e9 aux c\u00e9l\u00e8bres affiches pour la paix d\u2019Armando Milani. Michele Calzavara retrace la trajectoire professionnelle singuli\u00e8re du studio Diller Scofidio + Renfro, tandis que Giulio Iacchetti raconte et dessine une s\u00e9rie d\u2019horloges de table. Martina Costa rassemble une s\u00e9rie d\u2019Accoppiamenti giudiziosi autour du signe X, et Damiano Gull\u00ec explore la libert\u00e9 expressive de la recherche picturale de Nathalie Du Pasquier.<\/p>\n

    Au fil du num\u00e9ro, les images de Margherita Bonetti interpr\u00e8tent les lampes Tobia et Chapeaux dans un espace \u00e9th\u00e9r\u00e9 et hautement \u00e9vocateur, offrant une vision suspendue et po\u00e9tique des objets, en dialogue avec le cadre culturel du projet \u00e9ditorial.<\/p>\n<\/div>\n <\/div>\n <\/div>\n<\/section>

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    Sommario<\/h4><\/div>
    • i \u2014 264.<\/h5>
      Copertina \u2044 Cover<\/h6>

      Tavolozza \u2044 Palette
      di \u2044 by Franco Toselli<\/p><\/div><\/li>

    • i \u2014 265.<\/h5>
      <\/h6>

      005 Rimbalzi \u2044 Bounces
      di \u2044 by Beppe Finessi<\/p><\/div><\/li><\/h5>

    • i \u2014 266.<\/h5>
      Esercizi di Stile \u2044 Exercises in Style<\/h6>

      012 Florian Slotawa Garden Tools
      di \u2044 by Marta Elisa Cecchi<\/p><\/div><\/li>

    • i \u2014 267.<\/h5>
      Temporalia<\/h6>

      022 Cornice \u2044 Frame
      di \u2044 by Stefania di Maria<\/p><\/div><\/li>

    • i \u2014 268.<\/h5>
      Saper Fare \u2044 Savoir-faire<\/h6>

      052 Cec\u00e9 Casile Cornici \u2044 Frames
      di \u2044 by Andrea Pinotti
      disegni di \u2044 drawings by Marco Manini<\/p><\/div><\/li>

    • i \u2014 269.<\/h5>
      Idee \u2044 Ideas<\/h6>

      064 Enrico Azzimonti, Jordi Pigem Le Bateau Ivre
      di \u2044 by Chiara Fauda Pichet<\/p><\/div><\/li>

    • i \u2014 270.<\/h5>
      Assoluti \u2044 Absolutes<\/h6>

      068 Armando Testa Segno Croce
      di \u2044 by Alessia Righi<\/p><\/div><\/li>

    • i \u2014 271.<\/h5>
      Assoluti \u2044 Absolutes<\/h6>

      080 Armando Milani Peace\/War
      di \u2044 by Mario Piazza<\/p><\/div><\/li>

    • i \u2014 272.<\/h5>
      Architetti Trasversali \u2044 Crossover Architects<\/h6>

      082 Diller Scofidio + Renfro
      di \u2044 by Michele Calzavara<\/p><\/div><\/li>

    • i \u2014 273.<\/h5>
      Brevi Note \u2044 Short Notes<\/h6>

      118 Orologi da tavolo \u2044 Tableclocks
      testi e disegni di \u2044 texts and drawings by Giulio Iacchetti<\/p><\/div><\/li>

    • i \u2014 274.<\/h5>
      Accoppiamenti Giudiziosi \u2044 Judicious Pairings<\/h6>

      120 X
      di \u2044 by Martina Costa<\/p><\/div><\/li>

    • i \u2014 275.<\/h5>
      Normali Meraviglie \u2044 Normal Wonders<\/h6>

      144 Nathalie Du Pasquier
      di \u2044 by Damiano Gull\u00ec<\/p><\/div><\/li><\/ul><\/div><\/div><\/div>

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