{"id":34435,"date":"2024-03-15T14:59:24","date_gmt":"2024-03-15T14:59:24","guid":{"rendered":"https:\/\/www.foscarini.com\/?post_type=inventario&p=34435"},"modified":"2024-03-19T12:41:24","modified_gmt":"2024-03-19T12:41:24","slug":"inventario-17","status":"publish","type":"inventario","link":"https:\/\/www.foscarini.com\/fr\/inventario\/inventario-17\/","title":{"rendered":"Inventario \u00b017"},"content":{"rendered":"
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Inventario \u00b017<\/h2>\n<\/a>\n
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    INVENTARIO 17
    \nTout est projet
    \n21 x 27 cm | 160 pages | livre broch\u00e9 | 10,00 \u20ac
    \nTextes en italien et en anglais
    \nISBN 979-12-5493-032-8<\/p>\n<\/div>\n <\/li>\n

  • \n <\/span>\n

    Un projet \u00e9ditorial con\u00e7u et dirig\u00e9 par Beppe Finessi, publi\u00e9 par Corraini, promu et soutenu par Foscarini.<\/p>\n<\/div>\n <\/li>\n <\/ul>\n\n <\/div>\n

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    Avec une curiosit\u00e9 authentique, explorons la r\u00e9alit\u00e9 et poursuivons notre voyage dans le monde du projet \u00e0 travers le design, l’architecture, l’art et la graphisme, pr\u00eats \u00e0 \u00eatre surpris et inspir\u00e9s par des associations d’id\u00e9es inattendues.<\/h2>\n<\/div>\n

    “Inventario atteint son dix-septi\u00e8me num\u00e9ro<\/strong>, cette fois-ci avec une couverture d\u00e9di\u00e9e \u00e0 la brique, un puissant catalyseur d’id\u00e9es et cr\u00e9ateur de possibilit\u00e9s de conception infinies, un objet ‘tout sauf lourd’ comme le d\u00e9finit Stefano Salis dans ses \u201cExercices de Style\u201d o\u00f9 il montre ses nombreux usages alternatifs dans un renversement de perspective \u00e9tonnant. Dans \u201cMerveilles Normales\u201d Damiano Gull\u00ec parle d’Oscar Abraham Pab\u00f3n qui, \u00e0 partir de la brique, fait une r\u00e9flexion sophistiqu\u00e9e sur la structure et la surface, l’ornement et la d\u00e9coration, le monochrome et le polychrome, le rythme et la r\u00e9p\u00e9tition; comme dans les \u201cRebonds\u201d de Beppe Finessi, o\u00f9 les artistes et les designers font de la forme du cube un module \u00e0 partir duquel g\u00e9n\u00e9rer de nouveaux sens et analogies. Pour \u201cTemporalia\u201d Mirko Zardini nous ram\u00e8ne aux premiers usages du fil de fer barbel\u00e9 puis \u00e0 ses applications r\u00e9centes dans le monde de l’art. Paolo Bocchi raconte l’exp\u00e9rience Chew Your Own Brooch de Ted Noten, et Anna Sendino \u00e9crit \u00e9galement sur l’or, exaltant les propri\u00e9t\u00e9s d’une pierre riche en souvenirs et en mirages trompeurs. Les \u201cCourtes Notes\u201d illustr\u00e9es par Giulio Iacchetti sont d\u00e9di\u00e9es au d\u00e9rouleur de ruban adh\u00e9sif, tandis que Stefania di Maria d\u00e9crit un riche \u00e9chantillon de Ciseaux pour Bonsa\u00ef. Nous passons \u00e0 la photographie avec les \u201cAutres Regards\u201d de Giulia Zorzi d\u00e9di\u00e9es \u00e0 Jessica Backhaus et aux \u201cChromies\u201d de Manolo De Giorgi explorant les significations de la couleur violette. Enfin, dans un \u201cInventaire pour auteurs\u201d rempli d’images, Beppe Finessi se souvient de la vie et de l’\u0153uvre d’Italo Lupi, architecte et ma\u00eetre du design graphique.<\/p>\n

     <\/p>\n

    L’interpr\u00e9tation artistique que la photographe Elisa Franceschi<\/strong> a r\u00e9alis\u00e9e sur les lampes Lumiere et Fleur de Foscarini<\/strong> – toutes deux con\u00e7ues par le Ma\u00eetre Rodolfo Dordoni – est notre bienvenue dans ce voyage passionnant de d\u00e9couverte.<\/p>\n<\/div>\n <\/div>\n <\/div>\n<\/section>

    \"\"<\/figure>\n\n
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    Sommario<\/h4>\r\n <\/div>\r\n
    \r\n
      \r\n
    • \r\n
      I \u2014 237.<\/h5>\r\n
      Copertina \u2044 Cover<\/h6>\r\n
      \r\n

      Mattone \u2044 Brickdi \u2044 by Davide Sibra<\/p>\r\n <\/div>\r\n <\/li>\r\n

    • \r\n
      I \u2014 238.<\/h5>\r\n
      Rimbalzi \u2044 Bounces<\/h6>\r\n
      \r\n

      di \u2044 by Beppe Finessi<\/p>\r\n <\/div>\r\n <\/li>\r\n

    • \r\n
      I \u2014 239.<\/h5>\r\n
      Temporalia<\/h6>\r\n
      \r\n

      Filo spinato \u2044 Barbed wiredi \u2044 by Mirko Zardiniricerca e commenti di \u2044 research and descriptions by Arianna Santambrogio<\/p>\r\n <\/div>\r\n <\/li>\r\n

    • \r\n
      I \u2014 240.<\/h5>\r\n
      Normali Meraviglie \u2044 Normal Wonders<\/h6>\r\n
      \r\n

      Oscar Abraham Pab\u00f3ndi \u2044 by Damiano Gull\u00ec<\/p>\r\n <\/div>\r\n <\/li>\r\n

    • \r\n
      I \u2014 241.<\/h5>\r\n
      Esercizi di Stile \u2044 Exercises in Style<\/h6>\r\n
      \r\n

      Max SiedentopfThe Multipurpose Brickdi \u2044 by Stefano Salis<\/p>\r\n <\/div>\r\n <\/li>\r\n

    • \r\n
      I \u2014 242.<\/h5>\r\n
      Idee \u2044 Ideas<\/h6>\r\n
      \r\n

      Ted NotenChew Your Own Broochdi \u2044 by Paolo Bocchi<\/p>\r\n <\/div>\r\n <\/li>\r\n

    • \r\n
      I \u2014 243.<\/h5>\r\n
      Bagatelle<\/h6>\r\n
      \r\n

      Oro \u2044 Golddi \u2044 by Anna Sedino<\/p>\r\n <\/div>\r\n <\/li>\r\n

    • \r\n
      I \u2014 244.<\/h5>\r\n
      Punto Tecnico \u2044 Technical Matters<\/h6>\r\n
      \r\n

      Attilio CaringolaForbici per bonsai \u2044 Bonsai scissorsdi \u2044 by Stefania di Maria<\/p>\r\n <\/div>\r\n <\/li>\r\n

    • \r\n
      I \u2014 245.<\/h5>\r\n
      Brevi Note \u2044 Short Notes<\/h6>\r\n
      \r\n

      Porta nastro adesivo\u2044 Tape dispensertesti e disegni di \u2044 texts and drawings by Giulio Iacchetti<\/p>\r\n <\/div>\r\n <\/li>\r\n

    • \r\n
      I \u2014 246.<\/h5>\r\n
      Inventario per Autori \u2044 Personal Inventory<\/h6>\r\n
      \r\n

      Italo Lupidi \u2044 by Beppe Finessi<\/p>\r\n <\/div>\r\n <\/li>\r\n

    • \r\n
      I \u2014 247.<\/h5>\r\n
      Altri Sguardi \u2044 Other Gazes<\/h6>\r\n
      \r\n

      Jessica Backhausdi \u2044 by Giulia Zorzi<\/p>\r\n <\/div>\r\n <\/li>\r\n

    • \r\n
      I \u2014 248.<\/h5>\r\n
      Cromie \u2044 Hues<\/h6>\r\n
      \r\n

      Viola \u2044 Violetdi \u2044 by Manolo De Giorgi<\/p>\r\n <\/div>\r\n <\/li>\r\n

    • \r\n
      I \u2014 249.<\/h5>\r\n
      Altri Casi, Altre Case \u2044 Other Cases, Other Houses<\/h6>\r\n
      \r\n

      Cinque piante \u2044 Five plansdi \u2044 by Michele Calzavara<\/p>\r\n <\/div>\r\n <\/li>\r\n

    • \r\n
      I \u2014 250.<\/h5>\r\n
      Assoluti \u2044 Absolutes<\/h6>\r\n
      \r\n

      Marcel Duchamp Porte: 11, rue Larrey, 1927di \u2044 by Elio Graziolie \u2044 and Francesco Stocchitestimonianza di \u2044 account by Fabio Sargentini<\/p>\r\n <\/div>\r\n <\/li>\r\n <\/ul>\r\n <\/div>\r\n <\/div>\r\n<\/div>","protected":false},"featured_media":34439,"template":"","class_list":["post-34435","inventario","type-inventario","status-publish","has-post-thumbnail","hentry"],"acf":{"preview_slider":{"titolo":"Inventario \u00b017","testo":"Avec une curiosit\u00e9 authentique, explorons la r\u00e9alit\u00e9 et poursuivons notre voyage dans le monde du projet \u00e0 travers le design, l'architecture, l'art et la graphisme, pr\u00eats \u00e0 \u00eatre surpris et inspir\u00e9s par des associations d'id\u00e9es inattendues.","video_domanda":false,"link_video":""}},"yoast_head":"\nInventario \u00b017 - Foscarini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Inventario \u00b017\" \/>\n<meta property=\"og:description\" content=\"Sommario I \u2014 237. 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