{"id":27291,"date":"2023-12-19T14:16:56","date_gmt":"2023-12-19T14:16:56","guid":{"rendered":"https:\/\/www.foscarini.com\/inventario\/inventario-16\/"},"modified":"2024-04-04T17:06:54","modified_gmt":"2024-04-04T17:06:54","slug":"inventario-16","status":"publish","type":"inventario","link":"https:\/\/www.foscarini.com\/fr\/inventario\/inventario-16\/","title":{"rendered":"Inventario \u00b016"},"content":{"rendered":"
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Inventario \u00b016<\/h2>\n<\/a>\n
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    INVENTARIO 16 Tout est projet 21 x 27 cm | 160 pages | livre broch\u00e9 | 10,00 \u20ac Textes en italien et en anglais ISBN 978-88-7570-998-3<\/p>\n<\/div>\n <\/li>\n

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    Un projet \u00e9ditorial con\u00e7u et dirig\u00e9 par Beppe Finessi, publi\u00e9 par Corraini, promu et soutenu par Foscarini.<\/div>\n
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    Chaque nouveau num\u00e9ro d’Inventario donne mati\u00e8re \u00e0 r\u00e9flexion gr\u00e2ce aux associations d’id\u00e9es inattendues qui relient des projets, des \u0153uvres, des objets, des auteurs, nous invitant \u00e0 observer la r\u00e9alit\u00e9 avec une v\u00e9ritable curiosit\u00e9. Car, comme l’\u00e9crit Stefano Salis, “tout contient toujours plus que ce qu’il montre”.<\/h2>\n<\/div>\n

    Le 16e num\u00e9ro d’INVENTARIO s’ouvre sur une couverture consacr\u00e9e aux matchs et se poursuit avec le commentaire de Stefano Salis sur le travail de l’illustratrice Noma Bar, tandis que Paolo Bocchi pr\u00e9sente une ic\u00f4ne de la mode, le “Stockman” de Martin Margiela. Si les “Rimbalzi” de Beppe Finessi \u00e9tablissent un dialogue sans pr\u00e9c\u00e9dent entre diff\u00e9rents moments de l’histoire de l’art, les “Cromie” de Manolo De Giorgi explorent les significations de la couleur rose. Le “Brevi Note” illustr\u00e9 par Giulio Iacchetti est consacr\u00e9 aux animaux jouets, tandis que Corrado Levi raconte la lampe “Notturno Italiano” de Denis Santachiara dans “Perch\u00e9”. De l’architecture – avec le “Manuale dell’Architetto” de Fulvio Irace et Annalisa Ubaldi, qui nous fait lever les yeux en qu\u00eate de nouvelles \u00e9l\u00e9vations – on passe \u00e0 la photographie – avec “Altri Sguardi” de Roberta Valtorta d\u00e9di\u00e9 \u00e0 Todd Hido – et \u00e0 la peinture, en particulier \u00e0 la Th\u00e9orie de la peinture de Mel Bochner, protagoniste des “Esercizi di Stile” de Francesco Garutti. Arianna Santambrogio propose une s\u00e9rie d’”Accoppiamenti Giudiziosi” autour du th\u00e8me des \u00e9pines, d\u00e9licates et mena\u00e7antes \u00e0 la fois. Pour “Normali Meraviglie”, Damiano Gull\u00ec raconte les sculptures-architectures de Przemek Pyszczek et Francesco Messina les herbiers de Massimo Gardone. Foscarini, est pr\u00e9sent dans les num\u00e9ros d’ouverture et de cl\u00f4ture, cette fois dans l’interpr\u00e9tation artistique d’Andrea Garuti, notre h\u00f4te dans ce voyage de d\u00e9couverte.<\/p>\n<\/div>\n <\/div>\n <\/div>\n<\/section>

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    Sommario<\/h4><\/div>
    • I \u2014 224.<\/h5>
      Copertina \u2044 Cover<\/h6>

      Fiammifero \u2044 Matchdi \u2044 by Marta Elisa Cecchi<\/p><\/div><\/li>

    • I \u2014 225.<\/h5>
      Assoluti \u2044 Absolutes<\/h6>

      Noma Bardi \u2044 by Stefano Salis<\/p><\/div><\/li>

    • I \u2014 226.<\/h5>
      Rimbalzi \u2044 Bounces<\/h6>

      di \u2044 by Beppe Finessi<\/p><\/div><\/li>

    • I \u2014 227.<\/h5>
      Assoluti \u2044 Absolutes<\/h6>

      Martin Margiela Stockmandi \u2044 by Paolo Bocchi<\/p><\/div><\/li>

    • I \u2014 228.<\/h5>
      Cromie \u2044 Hues<\/h6>

      Rosa \u2044 Pinkdi \u2044 by Manolo De Giorgi<\/p><\/div><\/li>

    • I \u2014 229.<\/h5>
      Brevi Note \u2044 Short Notes<\/h6>

      Animali giocattolo \u2044 Toy animalstesti e disegni di \u2044 texts and drawings by Giulio Iacchetti<\/p><\/div><\/li>

    • I \u2014 230.<\/h5>
      Perch\u00e9 \u2044 Why<\/h6>

      Denis Santachiara Notturno italianodi \u2044 by Corrado Levi<\/p><\/div><\/li>

    • I \u2014 231.<\/h5>
      Manuale dell\u2019Architetto \u2044 Architect\u2019s Manual<\/h6>

      Sopraelevazioni \u2044 Elevationsdi \u2044 by Fulvio Iracericerche e commenti \u2044 researches and descriptionsAnnalisa Ubaldi<\/p>

      <\/p><\/div><\/li>

    • I \u2014 232.<\/h5>
      Altri Sguardi \u2044 Other Gazes<\/h6>

      Todd Hidodi \u2044 by Roberta Valtorta<\/p><\/div><\/li>

    • I \u2014 233.<\/h5>
      Esercizi di Stile \u2044 Exercises in Style<\/h6>

      Mel Bochner Theory of paintingdi \u2044 by Francesco Garuttitestimonianza di \u2044 account by Franco Toselli<\/p><\/div><\/li>

    • I\u2014 234.<\/h5>
      Normali Meraviglie \u2044 Normal Wonders<\/h6>

      Przemek Pyszczekdi \u2044 by Damiano Gull\u00ec<\/p><\/div><\/li>

    • I \u2014 235.<\/h5>
      Accoppiamenti Giudiziosi \u2044 Judicious Pairings<\/h6>

      Spine \u2044 Thornsdi \u2044 by Arianna Santambrogio<\/p><\/div><\/li>

    • I \u2014 236.<\/h5>
      Normali Meraviglie \u2044 Normal Wonders<\/h6>

      Massimo Gardonedi \u2044 by Francesco Messina<\/p><\/div><\/li><\/ul><\/div><\/div><\/div>","protected":false},"featured_media":5888,"template":"","class_list":["post-27291","inventario","type-inventario","status-publish","has-post-thumbnail","hentry"],"acf":{"preview_slider":{"titolo":"Inventario \u00b016","testo":"Chaque nouveau num\u00e9ro d'Inventario donne mati\u00e8re \u00e0 r\u00e9flexion gr\u00e2ce aux associations d'id\u00e9es inattendues qui relient des projets, des \u0153uvres, des objets, des auteurs, nous invitant \u00e0 observer la r\u00e9alit\u00e9 avec une v\u00e9ritable curiosit\u00e9. 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