{"id":27287,"date":"2023-12-19T14:12:47","date_gmt":"2023-12-19T14:12:47","guid":{"rendered":"https:\/\/www.foscarini.com\/inventario\/inventario-15\/"},"modified":"2024-04-04T17:06:27","modified_gmt":"2024-04-04T17:06:27","slug":"inventario-15","status":"publish","type":"inventario","link":"https:\/\/www.foscarini.com\/fr\/inventario\/inventario-15\/","title":{"rendered":"Inventario \u00b015"},"content":{"rendered":"
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Inventario \u00b015<\/h2>\n<\/a>\n
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    INVENTARIO 15 Tout est projet 21 x 27 cm | 160 pages | livre broch\u00e9 | 10,00 \u20ac Textes en italien et en anglais ISBN 978-88-7570-880-1 .<\/p>\n<\/div>\n <\/li>\n

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    Un projet \u00e9ditorial con\u00e7u et dirig\u00e9 par Beppe Finessi, publi\u00e9 par Corraini, promu et soutenu par Foscarini.<\/p>\n<\/div>\n <\/li>\n <\/ul>\n\n <\/div>\n

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    Aujourd’hui, dans son quinzi\u00e8me num\u00e9ro et sa dixi\u00e8me ann\u00e9e, INVENTARIO continue de raconter la culture du projet, unissant le design, l’art et l’architecture dans un dialogue libre et interdisciplinaire.<\/h2>\n<\/div>\n

    La couverture est d\u00e9di\u00e9e au crayon : un objet commun et humble, \u00e0 la port\u00e9e de tous et aussi pour cette raison pas “vu”, qui a au contraire sa propre beaut\u00e9 inattendue et est porteur d’une histoire sociale et culturelle en m\u00eame temps. Entre les pages de INVENTARIO 15, nous trouvons les colonnes qui organisent le contenu dans un flux de pens\u00e9es, d’objets et d’images. Dans “Rimbalbalzi”, Beppe Finessi explore la relation entre “plein” et “vide”, “visible” et “invisible”, tandis que dans “Accoppiamenti Giudiziosi”, Stefania Di Maria rassemble des \u0153uvres unies par le th\u00e8me du “NON”. “Inventaire par auteurs” propose un manuel de conception \u00e0 travers l’\u0153uvre de Corrado Levi. \u00c0 son tour, Corrado Levi pr\u00e9sente la “Seduta da bordo strada” (Assise au bord de la route) de Lina Bo Bardi, cr\u00e9\u00e9e en 1967, \u00e0 travers son “Perch\u00e9” (Pourquoi). La rubrique “Cromie” de Manolo De Giorgi s’int\u00e9resse aux \u0153uvres, objets et espaces caract\u00e9ris\u00e9s par le brun. Les “Normali Meraviglie” de Paolo Bocchi, avec des dessins de Marco Manini, transforment des objets communs en “po\u00e9tiques anonymes”. Pour “Miti d’Oggi”, Francesca Picchi choisit James Irvine, retra\u00e7ant les \u00e9tapes de son travail de designer, tandis que le “Brevi Note” de Giulio Iacchetti est d\u00e9di\u00e9 \u00e0 la pipe. Dans “Le\u00e7ons”, Alberto Meda parle de son id\u00e9e du design industriel \u00e0 travers certains des projets qu’il a d\u00e9velopp\u00e9s au cours de sa carri\u00e8re. Le protagoniste de “Temporalia” d’Elisa Testori est le scotch : un mat\u00e9riau cher aux artistes contemporains. Enfin, les “Altri Sguardi” de Roberta Valtorta sont consacr\u00e9s aux man\u00e8ges et \u00e0 leur pouvoir \u00e9vocateur, entre voyage, jeu et r\u00eave. Les images qui ouvrent et cl\u00f4turent le num\u00e9ro 15 d’Inventario sont de Valentina Sommariva, qui a interpr\u00e9t\u00e9 les lampes Buds de Rodolfo Dordoni et Satellight d’Eugenie Quittlet.<\/p>\n<\/div>\n <\/div>\n <\/div>\n<\/section>

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    Sommario<\/h4><\/div>
    • I \u2014 211.<\/h5>
      Copertina \u2044 Cover<\/h6>

      Matita \u2044 Pencildi \u2044 by Luca Cotini <\/p><\/div><\/li>

    • I \u2014 212.<\/h5>
      \u00a0L\u2019anima temperata con la grafite \u2044 The essence honed by graphite<\/h6>

      di \u2044 by Stefano Salis<\/p>

      <\/p>

      <\/p><\/div><\/li>

    • I \u2014 213.<\/h5>
      Rimbalzi \u2044 Bounces<\/h6>

      di \u2044 by Beppe Finessi<\/p><\/div><\/li>

    • I \u2014 214.<\/h5>
      \u00a0Accoppiamenti Giudiziosi \u2044 Judicious Pairings<\/h6>

      di \u2044 by Stefania di Maria<\/p><\/div><\/li>

    • \u00a0I \u2014 215.<\/h5>
      Inventario per Autori \u2044 Personal Inventory<\/h6>

      Corrado LeviUn manuale di progettazione\u2044 A design manualdi \u2044 by Beppe Finessi<\/p><\/div><\/li>

    • \u00a0I \u2014 216.<\/h5>
      Cromie \u2044 Hues<\/h6>

      Marrone \u2044 Browndi \u2044 by Manolo De Giorgi<\/p><\/div><\/li>

    • I \u2014 217.<\/h5>
      Perch\u00e9 \u2044 Why<\/h6>

      Lina Bo BardiSedia da bordo strada\u2044 Roadside chairdi \u2044 by Corrado Levi<\/p><\/div><\/li>

    • I \u2014 218.<\/h5>
      Normali Meraviglie \u2044 Normal Wonders<\/h6>

      Anonimi poetici\u2044 Poetic anonymitiesdi \u2044 by Paolo Bocchidisegni di \u2044 drawings byMarco Manini<\/p><\/div><\/li>

    • I \u2014 219.<\/h5>
      Miti d\u2019Oggi \u2044 Myths of Today<\/h6>

      James Irvinedi \u2044 by Francesca Picchi<\/p><\/div><\/li>

    • I \u2014 220.<\/h5>
      Brevi Note \u2044 Short Notes<\/h6>

      Pipe \u2044 Pipestesti e disegni di\u2044 texts and drawings byGiulio Iacchetti<\/p><\/div><\/li>

    • I \u2014 221.<\/h5>
      Lezioni \u2044 Lessons<\/h6>

      Industrial designtesti e progetti di\u2044 texts and projects byAlberto Meda<\/p><\/div><\/li>

    • I \u2014 222.<\/h5>
      Temporalia<\/h6>

      Scotch \u2044 Tapedi \u2044 by Elisa Testori<\/p><\/div><\/li>

    • I \u2014 223.<\/h5>
      Altri Sguardi \u2044 Other Gazes<\/h6>

      Giostre \u2044 Carouselsdi \u2044 by Roberta Valtorta<\/p><\/div><\/li><\/ul><\/div><\/div><\/div>","protected":false},"featured_media":5873,"template":"","class_list":["post-27287","inventario","type-inventario","status-publish","has-post-thumbnail","hentry"],"acf":{"preview_slider":{"titolo":"Inventario \u00b015","testo":"Aujourd'hui, dans son quinzi\u00e8me num\u00e9ro et sa dixi\u00e8me ann\u00e9e, INVENTARIO continue de raconter la culture du projet, unissant le design, l'art et l'architecture dans un dialogue libre et interdisciplinaire.","video_domanda":false,"link_video":""}},"yoast_head":"\nInventario \u00b015 - Foscarini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Inventario \u00b015\" \/>\n<meta property=\"og:description\" content=\"Sommario I \u2014 211. 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