{"id":27283,"date":"2023-12-19T14:10:29","date_gmt":"2023-12-19T14:10:29","guid":{"rendered":"https:\/\/www.foscarini.com\/inventario\/inventario-14\/"},"modified":"2024-04-04T17:05:46","modified_gmt":"2024-04-04T17:05:46","slug":"inventario-14","status":"publish","type":"inventario","link":"https:\/\/www.foscarini.com\/fr\/inventario\/inventario-14\/","title":{"rendered":"Inventario \u00b014"},"content":{"rendered":"
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Inventario \u00b014<\/h2>\n<\/a>\n
<\/div>\n Commandez votre exemplaire<\/a>\n <\/div>\n
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    INVENTARIO 14 Tout est projet 21 x 27 cm | 160 pages | broch\u00e9 | 10,00 \u20ac. Textes en italien et en anglais ISBN 978-88-7570-749-1 .<\/p>\n<\/div>\n <\/li>\n

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    Un projet \u00e9ditorial con\u00e7u et dirig\u00e9 par Beppe Finessi, publi\u00e9 par Corraini, promu et soutenu par Foscarini.<\/p>\n<\/div>\n <\/li>\n <\/ul>\n\n <\/div>\n

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    La couverture du quatorzi\u00e8me num\u00e9ro d’INVENTARIO est consacr\u00e9e \u00e0 l’\u00e9ventail. Montrer et cacher, raconter des histoires sans fin \u00e0 partir d’un geste, l’\u00e9ventail d\u00e9place l’air mais aussi l’attention.<\/h2>\n<\/div>\n

    Les multiples possibilit\u00e9s de signification que peut prendre l’espace, entre vide et d\u00e9limitation, sont explor\u00e9es par Beppe Finessi dans \u00ab\u00a0Rimbalzi\u00a0\u00bb, tandis que dans \u00ab\u00a0Altri Sguardi\u00a0\u00bb Roberta Valtorta parle de Robert Frank et de sa photographie. Dans \u00ab\u00a0Temporalia\u00a0\u00bb, Chiara Fauda Pichet s’attarde sur le d\u00e9passement des fissures, un indice \u00e0 forte valeur symbolique. Matteo Pirola et Gianni Faraci nous parlent du \u00ab\u00a0Grande Cretto\u00a0\u00bb de Gibellina d’Alberto Burri. Pour \u00ab\u00a0Absolus\u00a0\u00bb, Andrea Anastasio choisit Mona Hatoum et sa \u00ab\u00a0Carte\u00a0\u00bb, un atlas du monde fait de billes de verre qui inspire une r\u00e9flexion sur la libert\u00e9 et le pouvoir, tandis que Paolo Bocchi propose \u00ab\u00a0Tutto Cambia\u00a0\u00bb, un tapis de Bruno Munari avec des combinaisons de formes et de fils color\u00e9s laiss\u00e9s libres de bouger. Lorenzo Damiani est interview\u00e9 par Marco Romanelli dans \u00ab\u00a0Nuovi Maestri\u00a0\u00bb, tandis que les guitares sont au centre de \u00ab\u00a0Brevi Note\u00a0\u00bb de Giulio Iacchetti. Corrado Levi pr\u00e9sente la librairie \u00ab\u00a0Veliero\u00a0\u00bb de Franco Albini, tandis que Maria Elisa Cecchi d\u00e9die \u00ab\u00a0Normali Meraviglie\u00a0\u00bb \u00e0 Amalia Pica. La rubrique \u00ab\u00a0Cromie\u00a0\u00bb de Manolo De Giorgi, inaugur\u00e9e dans le num\u00e9ro 13, se poursuit avec une s\u00e9lection d’\u0153uvres, d’objets et d’espaces caract\u00e9ris\u00e9s par la couleur verte. La publication ne parle jamais de Foscarini – pr\u00e9sente uniquement dans les images d’ouverture et de cl\u00f4ture \u00e0 travers les libres interpr\u00e9tations visuelles de photographes internationaux – mais se fait le porte-parole des valeurs de l’entreprise, regardant vers l’avenir avec un regard attentif et curieux, avec la volont\u00e9 de chercher et le plaisir de pratiquer les territoires de l’innovation. Les images qui ouvrent et cl\u00f4turent le num\u00e9ro 14 sont de la photographe belge Katrien De Blauwer, qui surprend par les r\u00e9sultats de l’application de son langage visuel particulier \u00e0 l’histoire des lampes Bahia et Fields. Le \u00ab\u00a0photographe sans appareil\u00a0\u00bb utilise la technique du collage pour repr\u00e9senter les choses non pas telles qu’elles sont, mais telles que nous les voyons.<\/p>\n<\/div>\n <\/div>\n <\/div>\n<\/section>\n\n\n

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    Sommario<\/h4><\/div>
    • I \u2014 197.<\/h5>
      Copertina \u2044 Cover<\/h6>

      Ventaglio \u2044 Fandi \u2044 by Davide Pizzigoni<\/p><\/div><\/li>

    • I \u2014 198.<\/h5>
      Filippo de Pisis<\/h6>

      di \u2044 by Corrado Levi<\/p><\/div><\/li>

    • I \u2014 199.<\/h5>
      Rimbalzi \u2044 Bounces<\/h6>

      di \u2044 by Beppe Finessi<\/p><\/div><\/li>

    • I \u2014 200.<\/h5>
      \u00a0Altri Sguardi \u2044 Other Gazes<\/h6>

      Robert Frankdi \u2044 by Roberta Valtorta<\/p><\/div><\/li>

    • I \u2014 201.<\/h5>
      Temporalia<\/h6>

      Superare le fessurazioni\u2044 Getting over cracksdi \u2044 by Chiara Fauda Pichet<\/p>

      <\/p><\/div><\/li>

    • I \u2014 202.<\/h5>
      Specie di Spazi \u2044 Species of Spaces<\/h6>

      Alberto BurriGrande CrettoGibellinadi \u2044 by Matteo Pirolae \u2044 and Gianni Faraci<\/p><\/div><\/li>

    • I \u2014 203.<\/h5>
      \u00a0Assoluti \u2044 Absolutes<\/h6>

      Mona HatoumMapdi \u2044 by Andrea Anastasio<\/p><\/div><\/li>

    • I \u2014 204.<\/h5>
      Accoppiamenti Giudiziosi \u2044 Judicious Pairings<\/h6>

      Elefanti \u2044 Elephantsdi \u2044 by Giada Boromello<\/p><\/div><\/li>

    • I \u2014 205.<\/h5>
      \u00a0Nuovi Maestri \u2044 New Masters<\/h6>

      Lorenzo Damianidi \u2044 by Marco Romanelli<\/p><\/div><\/li>

    • I \u2014 206.<\/h5>
      Brevi Note \u2044 Short Notes<\/h6>

      Chitarre \u2044 Guitarstesti e disegni di\u2044 texts and drawings byGiulio Iacchetti<\/p><\/div><\/li>

    • I \u2014 207.<\/h5>
      Perch\u00e9 \u2044 Why<\/h6>

      Franco AlbiniVelierodi \u2044 by Corrado Levi<\/p><\/div><\/li>

    • I \u2014 208.<\/h5>
      Assoluti \u2044 Absolutes<\/h6>

      Bruno MunariTutto Cambiadi \u2044 by Paolo Bocchi<\/p><\/div><\/li>

    • I \u2014 209.<\/h5>
      Normali Meraviglie \u2044 Normal Wonders<\/h6>

      Amalia Picadi \u2044 by Marta Elisa Cecchi<\/p><\/div><\/li>

    • I \u2014 210.<\/h5>
      \u00a0Cromie \u2044 Hues<\/h6>

      Verde \u2044 Greendi \u2044 by Manolo De Giorgi<\/p><\/div><\/li><\/ul><\/div><\/div><\/div>\n","protected":false},"featured_media":5823,"template":"","class_list":["post-27283","inventario","type-inventario","status-publish","has-post-thumbnail","hentry"],"acf":{"preview_slider":{"titolo":"Inventario \u00b014","testo":"La couverture du quatorzi\u00e8me num\u00e9ro d'INVENTARIO est consacr\u00e9e \u00e0 l'\u00e9ventail. 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