{"id":27289,"date":"2023-12-19T14:12:47","date_gmt":"2023-12-19T14:12:47","guid":{"rendered":"https:\/\/www.foscarini.com\/inventario\/inventario-15\/"},"modified":"2024-04-04T17:14:33","modified_gmt":"2024-04-04T17:14:33","slug":"inventario-15","status":"publish","type":"inventario","link":"https:\/\/www.foscarini.com\/es\/inventario\/inventario-15\/","title":{"rendered":"Inventario \u00b015"},"content":{"rendered":"
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Inventario \u00b015<\/h2>\n<\/a>\n
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    INVENTARIO 15 Todo es proyecto 21 x 27 cm | 160 p\u00e1ginas | libro de bolsillo | 10,00 \u20ac Textos en italiano e ingl\u00e9s ISBN 978-88-7570-880-1<\/p>\n<\/div>\n <\/li>\n

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    Un proyecto editorial creado y dirigido por Beppe Finessi, editado por Corraini, promovido y apoyado por Foscarini<\/p>\n<\/div>\n <\/li>\n <\/ul>\n\n <\/div>\n

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    Llegados al n\u00famero 15 y al d\u00e9cimo a\u00f1o, INVENTARIO sigue explicando la cultura del proyecto, combinando dise\u00f1o, arte y arquitectura en un di\u00e1logo libre e interdisciplinar.<\/h2>\n<\/div>\n

    La portada est\u00e1 dedicada al l\u00e1piz, objeto com\u00fan y humilde, al alcance de todos y tambi\u00e9n por ello no \u00abvisto\u00bb, que tiene en cambio una inesperada belleza y es portadora de una historia social y cultural al mismo tiempo. Entre las p\u00e1ginas de INVENTARIO 15 encontramos las columnas que organizan los contenidos en un flujo de pensamientos, objetos e im\u00e1genes. En \u00abRebotes\u00bb Beppe Finessi explora la relaci\u00f3n entre \u00ablleno\u00bb y \u00abvac\u00edo\u00bb, \u00abvisible\u00bb e \u00abinvisible\u00bb, mientras en \u00abEmparejamientos sensatos\u00bb Stefania Di Maria recopila obras unidas por el tema del \u00abNO\u00bb. \u00abInventario para autores\u00bb propone un manual de dise\u00f1o a trav\u00e9s de la obra de Corrado Levi. A su vez, Corrado Levi presenta a trav\u00e9s de sus \u00abPorque\u00bb la \u00abSeduta da bordo strada\u00bb de Lina Bo Bardi, realizada en el 1967. La columna de Manolo De Giorgi \u00abColores\u00bb se centra en obras, objetos y espacios caracterizados por el marr\u00f3n. Las \u00abMaravillas normales\u00bb de Paolo Bocchi, con dibujos de Marco Manini, transforman objetos comunes en \u00aban\u00f3nimos po\u00e9ticos\u00bb. Para \u00abMitos de hoy\u00bb Francesca Picchi elige a James Irvine, recorriendo las etapas de su trabajo como dise\u00f1ador, mientras las \u00abNotas breves\u00bb de Giulio Iacchetti est\u00e1n dedicadas a la pipa. En \u00abLecciones\u00bb, Alberto Meda explica su idea de dise\u00f1o social a trav\u00e9s de algunos de los proyectos desarrollados durante su carrera. El protagonista de \u00abTemporalia\u00bb de Elisa Testori es la cinta adhesiva, un material muy apreciado por los artistas contempor\u00e1neos. Por \u00faltimo, las \u00abOtras miradas\u00bb de Roberta Valtorta est\u00e1n dedicadas a las atracciones y a su fuerza evocadora, entre viaje, juego y sue\u00f1o. Las im\u00e1genes que abren y cierran el n\u00famero 15 de Inventario son de Valentina Sommariva que ha interpretado las l\u00e1mparas Buds de Rodolfo Dordoni y Satellight de Eugenie Quittlet.<\/p>\n<\/div>\n <\/div>\n <\/div>\n<\/section>

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    Sommario<\/h4><\/div>
    • I \u2014 211.<\/h5>
      Copertina \u2044 Cover<\/h6>

      Matita \u2044 Pencildi \u2044 by Luca Cotini <\/p><\/div><\/li>

    • I \u2014 212.<\/h5>
      \u00a0L\u2019anima temperata con la grafite \u2044 The essence honed by graphite<\/h6>

      di \u2044 by Stefano Salis<\/p>

      <\/p>

      <\/p><\/div><\/li>

    • I \u2014 213.<\/h5>
      Rimbalzi \u2044 Bounces<\/h6>

      di \u2044 by Beppe Finessi<\/p><\/div><\/li>

    • I \u2014 214.<\/h5>
      \u00a0Accoppiamenti Giudiziosi \u2044 Judicious Pairings<\/h6>

      di \u2044 by Stefania di Maria<\/p><\/div><\/li>

    • \u00a0I \u2014 215.<\/h5>
      Inventario per Autori \u2044 Personal Inventory<\/h6>

      Corrado LeviUn manuale di progettazione\u2044 A design manualdi \u2044 by Beppe Finessi<\/p><\/div><\/li>

    • \u00a0I \u2014 216.<\/h5>
      Cromie \u2044 Hues<\/h6>

      Marrone \u2044 Browndi \u2044 by Manolo De Giorgi<\/p><\/div><\/li>

    • I \u2014 217.<\/h5>
      Perch\u00e9 \u2044 Why<\/h6>

      Lina Bo BardiSedia da bordo strada\u2044 Roadside chairdi \u2044 by Corrado Levi<\/p><\/div><\/li>

    • I \u2014 218.<\/h5>
      Normali Meraviglie \u2044 Normal Wonders<\/h6>

      Anonimi poetici\u2044 Poetic anonymitiesdi \u2044 by Paolo Bocchidisegni di \u2044 drawings byMarco Manini<\/p><\/div><\/li>

    • I \u2014 219.<\/h5>
      Miti d\u2019Oggi \u2044 Myths of Today<\/h6>

      James Irvinedi \u2044 by Francesca Picchi<\/p><\/div><\/li>

    • I \u2014 220.<\/h5>
      Brevi Note \u2044 Short Notes<\/h6>

      Pipe \u2044 Pipestesti e disegni di\u2044 texts and drawings byGiulio Iacchetti<\/p><\/div><\/li>

    • I \u2014 221.<\/h5>
      Lezioni \u2044 Lessons<\/h6>

      Industrial designtesti e progetti di\u2044 texts and projects byAlberto Meda<\/p><\/div><\/li>

    • I \u2014 222.<\/h5>
      Temporalia<\/h6>

      Scotch \u2044 Tapedi \u2044 by Elisa Testori<\/p><\/div><\/li>

    • I \u2014 223.<\/h5>
      Altri Sguardi \u2044 Other Gazes<\/h6>

      Giostre \u2044 Carouselsdi \u2044 by Roberta Valtorta<\/p><\/div><\/li><\/ul><\/div><\/div><\/div>","protected":false},"featured_media":5876,"template":"","class_list":["post-27289","inventario","type-inventario","status-publish","has-post-thumbnail","hentry"],"acf":{"preview_slider":{"titolo":"Inventario \u00b015","testo":"Llegados al n\u00famero 15 y al d\u00e9cimo a\u00f1o, INVENTARIO sigue explicando la cultura del proyecto, combinando dise\u00f1o, arte y arquitectura en un di\u00e1logo libre e interdisciplinar.","video_domanda":false,"link_video":""}},"yoast_head":"\nInventario \u00b015 - Foscarini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Inventario \u00b015\" \/>\n<meta property=\"og:description\" content=\"Sommario I \u2014 211. 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