{"id":27281,"date":"2023-12-19T14:08:39","date_gmt":"2023-12-19T14:08:39","guid":{"rendered":"https:\/\/www.foscarini.com\/inventario\/inventario-13\/"},"modified":"2024-04-04T17:14:07","modified_gmt":"2024-04-04T17:14:07","slug":"inventario-13","status":"publish","type":"inventario","link":"https:\/\/www.foscarini.com\/es\/inventario\/inventario-13\/","title":{"rendered":"Inventario \u00b013"},"content":{"rendered":"
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Inventario \u00b013<\/h2>\n<\/a>\n
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    INVENTARIO 13 Todo es proyecto 21 x 27 cm | 160 p\u00e1ginas | libro de bolsillo | 10,00 \u20ac Textos en italiano e ingl\u00e9s ISBN 978-88-7570-718-7<\/p>\n<\/div>\n <\/li>\n

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    Un proyecto editorial creado y dirigido por Beppe Finessi, editado por Corraini, promovido y apoyado por Foscarini<\/p>\n<\/div>\n <\/li>\n <\/ul>\n\n <\/div>\n

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    Trece n\u00fameros, un Compasso d\u2019Oro, un ciclo de exposiciones en el Museo Poldi Pezzoli de Mil\u00e1n. Inventario sigue consolidando un prestigio construido gracias a la calidad de los contenidos, a la frescura de la mirada, a la curiosidad y a la apertura hacia todos los \u00e1mbitos de la creatividad.<\/h2>\n<\/div>\n

    La portada de este n\u00famero, con un art\u00edculo que contin\u00faa en las primeras p\u00e1ginas, est\u00e1 dedicada a las burbujas de jab\u00f3n, un juego de colores y transparencias que encanta desde siempre a ni\u00f1os y adultos. En el interior encontramos las columnas que unen el flujo de pensamientos, objetos e im\u00e1genes. Beppe Finessi explora en \u00abRebotes\u00bb las posibilidades de la riqueza que puede adquirir el espacio vac\u00edo y tambi\u00e9n por Arianna Panarella que, en \u00abVidas como proyecto\u00bb, explica la idea de Eduardo Chillida en su proyecto para la monta\u00f1a de Tindaya. En \u00abEjercicios de estilo\u00bb Paolo Bocchi muestra el resultado concreto de la ins\u00f3lita combinaci\u00f3n entre manga y dibujo, mientras Michele Calzavara nos habla de estandarizaci\u00f3n a trav\u00e9s del proyecto Bad Press, de Diller + Scofidio. Cristina Fiordimela elige el arte pol\u00edtico y comprometido de Angela Ferrera para la columna \u00abLa arquitectura del arte\u00bb; las tijeras, con dibujos y textos de Giulio Iacchetti, son las protagonistas de \u00abNotas breves\u00bb y la continuidad espacial lo es en las Cinque Piante elegidas por Matteo Pirola para \u00abOtros casos, otras casas\u00bb. Marco Romanelli entrevista al dise\u00f1ador franc\u00e9s Martin Szekely para \u00abNuevos maestros\u00bb y la breve pero intensa experiencia art\u00edstica de Francesco lo Savio llena las p\u00e1ginas de \u00abMitos de hoy\u00bb de Alberto Mugnaini. Corrado Levi presenta a trav\u00e9s de sus \u00abPorque\u00bb y los dibujos de Marco Manini, la serie de mesitas Arabesco de Carlo Mollino realizadas a finales de la d\u00e9cada de los 40. La naturaleza es el centro de la obra de Elisabetta Di Maggio, analizada en su belleza sin tiempo por Damiano Gull\u00ec en \u00abMaravillas normales\u00bb, pero tambi\u00e9n en la fotograf\u00eda de Gabriel Orozco, elegida por Andrea Anastasio para \u00abAbsolutos\u00bb. Nace con Manolo De Giorgi la nueva columna \u00abColores\u00bb, que se abre con el color naranja. El polvo adopta diversas formas en las obras de arte presentadas por Marta Elisa Cecchi en \u00abBagatelle\u00bb. Marina Rosso es la responsable de las fotograf\u00edas que interpretan creativamente las l\u00e1mparas Lake y Allegro de Foscarini, que abren y cierran el n\u00famero.<\/p>\n<\/div>\n <\/div>\n <\/div>\n<\/section>

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    Sommario<\/h4><\/div>
    • I \u2014 183.<\/h5>
      Rimbalzi \u2044 Bounces<\/h6>

      di \u2044 by Beppe Finessi<\/p><\/div><\/li>

    • I \u2014 184.<\/h5>
      Vite come Progetto \u2044 Lives as Projects <\/h6>

      Eduardo Chillidadi \u2044 by Arianna Panarelladisegni di \u2044 drawings byMarco Manini<\/p><\/div><\/li>

    • I \u2014 185. \u00a0<\/h5>
      Esercizi di Stile \u2044 Exercises in Style<\/h6>

      Nendo50 manga chairsdi \u2044 by Paolo Bocchi<\/p><\/div><\/li>

    • I \u2014 186. <\/h5>
      L\u2019architettura dell\u2019Arte \u2044 The architecture of Art<\/h6>

      \u00c2ngela Ferreiradi \u2044 by Cristina Fiordimela<\/p><\/div><\/li>

    • I \u2014 187. <\/h5>
      Altri Casi, Altre Case \u2044 Other Cases, Other Houses<\/h6>

      Cinque piante \u2044 Five plans di \u2044 by Matteo Pirola<\/p><\/div><\/li>

    • I \u2014 188.<\/h5>
      Brevi Note \u2044 Short Notes<\/h6>

      \u00a0Forbici \u2044 Scissors testi e disegni di \u2044 texts and drawings by Giulio Iacchetti<\/p><\/div><\/li>

    • I \u2014 189.<\/h5>
      Nuovi Maestri \u2044 New Masters<\/h6>

      Martin Szekelydi \u2044 by Marco Romanelli<\/p><\/div><\/li>

    • I \u2014 190.<\/h5>
      Miti d\u2019Oggi \u2044 Myths of Today <\/h6>

      Francesco Lo Saviodi \u2044 by Alberto Mugnaini<\/p><\/div><\/li>

    • I \u2014 191.<\/h5>
      Perch\u00e9 \u2044 Why<\/h6>

      Carlo MollinoArabescodi \u2044 by Corrado Levi<\/p><\/div><\/li>

    • I \u2014 192.<\/h5>
      Assoluti \u2044 Absolutes<\/h6>

      Gabriel OrozcoExtension of Reflection1992di \u2044 by Andrea Anastasio<\/p><\/div><\/li>

    • I \u2014 193.<\/h5>
      Normali Meraviglie \u2044 Normal Wonders<\/h6>

      Elisabetta Di Maggiodi \u2044 by Damiano Gull\u00ec<\/p><\/div><\/li>

    • I \u2014 194.\u00a0<\/h5>
      Cromie \u2044 Hues<\/h6>

      Arancione \u2044 Orangedi \u2044 by Manolo De Giorgi<\/p><\/div><\/li>

    • I \u2014 195.\u00a0<\/h5>
      Bagatelle<\/h6>

      P\u00f2lvere \u2044 Dustdi \u2044 by Marta Elisa Cecchi<\/p><\/div><\/li>

    • I \u2014 196.<\/h5>
      Esercizi di Stile \u2044 Exercises in Style<\/h6>

      Diller + ScofidioBad Pressdi \u2044 by Michele Calzavara<\/p><\/div><\/li><\/ul><\/div><\/div><\/div>","protected":false},"featured_media":5811,"template":"","class_list":["post-27281","inventario","type-inventario","status-publish","has-post-thumbnail","hentry"],"acf":{"preview_slider":{"titolo":"Inventario \u00b013","testo":"Trece n\u00fameros, un Compasso d\u2019Oro, un ciclo de exposiciones en el Museo Poldi Pezzoli de Mil\u00e1n. 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