{"id":474778,"date":"2025-12-22T14:47:15","date_gmt":"2025-12-22T14:47:15","guid":{"rendered":"https:\/\/www.foscarini.com\/inventario\/inventario-19\/"},"modified":"2025-12-22T15:02:36","modified_gmt":"2025-12-22T15:02:36","slug":"inventario-19","status":"publish","type":"inventario","link":"https:\/\/www.foscarini.com\/en\/inventario\/inventario-19\/","title":{"rendered":"Inventario \u00b019"},"content":{"rendered":"
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Inventario \u00b019<\/h2>\n<\/a>\n
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    INVENTARIO 19
    \nEverything is a project
    \ncm 21 x 27 | 160 pages | paperback | 10,00 \u20ac
    \nEnglish and Italian texts
    \nISBN 9791254931677<\/p>\n<\/div>\n <\/li>\n

  • \n <\/span>\n

    An editorial initiative created and managed by Beppe Finessi, edited
    \nby Corraini, promoted and supported by Foscarini.<\/p>\n<\/div>\n <\/li>\n <\/ul>\n\n <\/div>\n

    \n

    Since 2010, Inventario has been a space for research and storytelling dedicated to the culture of design: an editorial project that weaves together disciplines, authors, and visions in a collective narrative, free from commercial constraints.<\/h2>\n<\/div>\n

    Inventario 19 unfolds as a journey through tools, works, and devices of artistic and design practice, bringing different approaches into dialogue through critical essays and visual narratives. The palette\u2014also evoked on the cover\u2014becomes a metaphor for an open approach to research and accompanies the contribution by Franco Toselli, who introduces the issue with an authorial perspective. Marta Elisa Cecchi presents the Exercise in Style of German conceptual artist Florian Slotawa and his work Garden Tools, a reflection on the ready-made and the potential of serial variation. Stefania Di Maria offers an in-depth exploration of the frame, interpreted as a threshold, an architectural element, and a field for experimentation, while Andrea Pinotti examines the work of Cec\u00e9 Casile, who for more than forty years has designed and crafted frames in close dialogue with the works they contain, particularly photographs by masters such as Luigi Ghirri and Arno Hammacher.Chiara Fauda Pichet recalls the poetic project of the sugar cube Le Bateau Ivre, conceived by Enrico Azzimonti and Jordi Pigem. In the Absolutes section, Alessia Righi contributes a critical essay on Segno Croce by Armando Testa, paired with Mario Piazza\u2019s text revisiting Armando Milani\u2019s iconic peace posters. Michele Calzavara retraces the distinctive professional trajectory of the studio Diller Scofidio + Renfro, while Giulio Iacchetti narrates and illustrates a series of table clocks. Martina Costa gathers a sequence of Judicious Pairings centered on the sign X, and Damiano Gull\u00ec explores the expressive freedom of Nathalie Du Pasquier\u2019s pictorial research.<\/p>\n

    Within the issue, photographs by Margherita Bonetti interpret the Tobia and Chapeaux lamps in an ethereal, highly evocative space, offering a suspended and poetic vision of the objects, in dialogue with the cultural framework of the editorial project.<\/p>\n<\/div>\n <\/div>\n <\/div>\n<\/section>

    \"\"<\/figure>\n\n
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    Sommario<\/h4><\/div>
    • i \u2014 264.<\/h5>
      Copertina \u2044 Cover<\/h6>

      Tavolozza \u2044 Palette
      di \u2044 by Franco Toselli<\/p><\/div><\/li>

    • i \u2014 265.<\/h5>
      <\/h6>

      005 Rimbalzi \u2044 Bounces
      di \u2044 by Beppe Finessi<\/p><\/div><\/li><\/h5>

    • i \u2014 266.<\/h5>
      Esercizi di Stile \u2044 Exercises in Style<\/h6>

      012 Florian Slotawa Garden Tools
      di \u2044 by Marta Elisa Cecchi<\/p><\/div><\/li>

    • i \u2014 267.<\/h5>
      Temporalia<\/h6>

      022 Cornice \u2044 Frame
      di \u2044 by Stefania di Maria<\/p><\/div><\/li>

    • i \u2014 268.<\/h5>
      Saper Fare \u2044 Savoir-faire<\/h6>

      052 Cec\u00e9 Casile Cornici \u2044 Frames
      di \u2044 by Andrea Pinotti
      disegni di \u2044 drawings by Marco Manini<\/p><\/div><\/li>

    • i \u2014 269.<\/h5>
      Idee \u2044 Ideas<\/h6>

      064 Enrico Azzimonti, Jordi Pigem Le Bateau Ivre
      di \u2044 by Chiara Fauda Pichet<\/p><\/div><\/li>

    • i \u2014 270.<\/h5>
      Assoluti \u2044 Absolutes<\/h6>

      068 Armando Testa Segno Croce
      di \u2044 by Alessia Righi<\/p><\/div><\/li>

    • i \u2014 271.<\/h5>
      Assoluti \u2044 Absolutes<\/h6>

      080 Armando Milani Peace\/War
      di \u2044 by Mario Piazza<\/p><\/div><\/li>

    • i \u2014 272.<\/h5>
      Architetti Trasversali \u2044 Crossover Architects<\/h6>

      082 Diller Scofidio + Renfro
      di \u2044 by Michele Calzavara<\/p><\/div><\/li>

    • i \u2014 273.<\/h5>
      Brevi Note \u2044 Short Notes<\/h6>

      118 Orologi da tavolo \u2044 Tableclocks
      testi e disegni di \u2044 texts and drawings by Giulio Iacchetti<\/p><\/div><\/li>

    • i \u2014 274.<\/h5>
      Accoppiamenti Giudiziosi \u2044 Judicious Pairings<\/h6>

      120 X
      di \u2044 by Martina Costa<\/p><\/div><\/li>

    • i \u2014 275.<\/h5>
      Normali Meraviglie \u2044 Normal Wonders<\/h6>

      144 Nathalie Du Pasquier
      di \u2044 by Damiano Gull\u00ec<\/p><\/div><\/li><\/ul><\/div><\/div><\/div>

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