{"id":27179,"date":"2023-12-18T16:03:30","date_gmt":"2023-12-18T16:03:30","guid":{"rendered":"https:\/\/www.foscarini.com\/inventario\/inventario-01\/"},"modified":"2024-04-04T16:58:16","modified_gmt":"2024-04-04T16:58:16","slug":"inventario-01","status":"publish","type":"inventario","link":"https:\/\/www.foscarini.com\/en\/inventario\/inventario-01\/","title":{"rendered":"Inventario \u00b001"},"content":{"rendered":"
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Inventario \u00b001<\/h2>\n<\/a>\n
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    INVENTARIO 01 Everything is a project cm 21 x 27 | 160 pages | paperback | 10,00 \u20ac English and Italian texts ISBN 978-88-7570-262-5<\/p>\n<\/div>\n <\/li>\n

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    An editorial initiative created and managed by Beppe Finessi, edited by Corraini, promoted and supported by Foscarini.<\/p>\n<\/div>\n <\/li>\n <\/ul>\n\n <\/div>\n

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    Everything is a project. Every gesture, even the simplest, is part of a project. Every action is definitely a project.<\/h2>\n<\/div>\n

    We are convinced that method and rigor (key project words) can be found in all things: in an object, of course; in a work, obviously; in a building, undoubtedly; but also in the preparation of food, the organization of a voyage, the writing of a story. So we have imagined that it might be possible to create a place in which to gather and put into order all these actions, a container we have called \u201cInventario\u201d because taking an inventory is the best, most effective way to decipher what we have before us. \u201cInventario\u201d is our way of looking at the world. \u201cInventario\u201d is not just a magazine, \u201cInventario\u201d is not just a book. \u201cInventario\u201d is a new publishing project that talks about all the disciplines that run on creativity. \u201cInventario\u201d gathers and puts into order new forms of expression, organizing and structuring them by category, typology, author and original leitmotivs. \u201cInventario\u201d is composed only of columns, boxes \u201cdesigned\u201d to convey content precisely sought and organized in a certain way, and only in that way, because they are observed in a certain way, and only in that way. (…). In all this, we will always and above all make free choices, based only on the force of the ideas we come across, the ones capable of lighting up our eyes. Because putting ideas into order is also a project. Inventario is an independent publishing project, in which Foscarini is present only at the opening and closing of the issue, in the interpretation of an ever-changing photographer. In the first issue we find the artistic gaze of Massimo Gardone who interpreted Le Soleil by Vicente Garcia Jimenez and Twiggy by Marc Sadler.<\/p>\n<\/div>\n <\/div>\n <\/div>\n<\/section>

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    Sommario<\/h4><\/div>
    • I \u2014\u200801. <\/h5>
      Giulio Iacchetti <\/h6>

      per \u2044 for InventarioAperto per Inventario \u2044 Openfor Inventariodi \u2044 by Stefano Salis<\/p><\/div><\/li>

    • I \u2014\u200802.<\/h5>
      Normali Meraviglie \u2044 Normal Wonders <\/h6>

      Eva Marguerre \u2044 VerenaStella Gompf<\/p><\/div><\/li>

    • I \u2014\u200803.<\/h5>
      Bagatelle<\/h6>

      Altalene \u2044 Swingsdi \u2044 by Francesco M. Cataluccioricerca e commenti \u2044 research anddescriptions Pierluigi Anselmi<\/p><\/div><\/li>

    • I \u2014\u200804.<\/h5>
      L\u2019architettura dell\u2019Arte \u2044The architecture of Art<\/h6>

      Monika Sosnowskadi \u2044 by Francesco Garutti<\/p><\/div><\/li>

    • I \u2014\u200805. <\/h5>
      Accoppiamenti giudiziosi \u2044Judicious pairing<\/h6>

      Studioli \u2044 Cabinetdi \u2044 by Manolo De Giorgi,Marco Minuz<\/p><\/div><\/li>

    • I \u2014\u200806.<\/h5>
      Futuro Prossimo \u2044 Near Future<\/h6>

      Tom\u00e1s Alonso, Aldo Bakker,Nicolas Le Moigne,Scholten&Baijingsdi \u2044 by Cristina Miglio<\/p><\/div><\/li>

    • I \u2014\u200807.<\/h5>
      Cosa segue cosa<\/h6>

      Ingrid Horaa cura di \u2044 edited byLungomare Bolzano:Angelika Burtscher e \u2044 andDaniele Lupo<\/p><\/div><\/li>

    • I \u2014\u200808. <\/h5>
      Punto Tecnico \u2044 Technical Matters<\/h6>

      Sedia Robo \u2044 Robo ChairLuca Nichetto \u2044\u2008Offecctdi \u2044 by Daniele Greppi<\/p><\/div><\/li>

    • I \u2014\u200809.<\/h5>
      Nuovi Maestri \u2044 New Masters <\/h6>

      Konstantin Grcic di \u2044 by Marco Romanelli<\/p><\/div><\/li>

    • I \u2014\u200810.<\/h5>
      \u00a0Teoria \u2044 Theory<\/h6>

      \u00a0Norman Potter: etica e pratica per essere un designer \u2044 ethics and practice for being a designer di \u2044 by Marco Rain\u00f2<\/p><\/div><\/li>

    • I \u2014\u200811.<\/h5>
      Good Design <\/h6>

      Noce \u2044 Walnut di \u2044 by Deborah Duva disegni \u2044 drawings Marco Manini<\/p><\/div><\/li>

    • I \u2014\u200812.<\/h5>
      Piccole cose \u2044 Small things <\/h6>

      Piccole azioni di grande importanza \u2044 Small actions of great importance di \u2044 by Mirko Zardini<\/p><\/div><\/li>

    • I \u2014\u200813.<\/h5>
      Vite come progetto \u2044 Lives as projects<\/h6>

      William Kamkwamba di \u2044 by Mariana Siracusa disegni \u2044 drawings Marco Manini<\/p><\/div><\/li>

    • I \u2014\u200814.<\/h5>
      Architetti trasversali \u2044 Crossover architects <\/h6>

      Didier Fiuza Faustino di \u2044 by Michele Calzavara<\/p><\/div><\/li>

    • I \u2014\u200815.<\/h5>
      Costruzioni per indizi \u2044 Construction by clues<\/h6>

      Guy Rottier di \u2044 by Anna Foppiano<\/p><\/div><\/li>

    • I \u2014\u200816.<\/h5>
      Piante \u2044 Plans<\/h6>

      Italo Lupi di \u2044 by Marco Belpoliti<\/p><\/div><\/li>

    • I \u2014\u200817.<\/h5>
      Inventario per autori \u2044 Personal inventory<\/h6>

      Attilio Stocchi di \u2044 by Matteo Pirola<\/p><\/div><\/li>

    • I \u2014\u200818.<\/h5>
      Altri sguardi \u2044\u2008Other gazes<\/h6>

      Tancredi Mangano. Da una certa distanza \u2044 From a certain distance di \u2044 by Roberta Valtorta<\/p><\/div><\/li>

    • I \u2014\u200819.<\/h5>
      Assoluti \u2044 Absolutes<\/h6>

      Corrado Levi\u00ad Salto Epistemologico \u2044 Epistemological Leap di \u2044 by Paolo Bocchi<\/p><\/div><\/li><\/ul><\/div><\/div><\/div>","protected":false},"featured_media":5559,"template":"","class_list":["post-27179","inventario","type-inventario","status-publish","has-post-thumbnail","hentry"],"acf":{"preview_slider":{"titolo":"Inventario \u00b001","testo":"An editorial initiative created and managed by Beppe Finessi, edited by Corraini, promoted and supported by Foscarini.","video_domanda":false,"link_video":""}},"yoast_head":"\nInventario \u00b001 - Foscarini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Inventario \u00b001\" \/>\n<meta property=\"og:description\" content=\"Sommario I \u2014\u200801. 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