{"id":27230,"date":"2023-12-19T14:01:01","date_gmt":"2023-12-19T14:01:01","guid":{"rendered":"https:\/\/www.foscarini.com\/inventario\/inventario-10\/"},"modified":"2024-04-04T17:17:39","modified_gmt":"2024-04-04T17:17:39","slug":"inventario-10","status":"publish","type":"inventario","link":"https:\/\/www.foscarini.com\/de\/inventario\/inventario-10\/","title":{"rendered":"Inventario \u00b010"},"content":{"rendered":"
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Inventario \u00b010<\/h2>\n<\/a>\n
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    INVENTARIO 10 Everything is a project cm 21 x 27 | 160 Seiten | broschiert | 10,00 \u20ac Texte auf Italienisch und Englisch ISBN 978-88-7570-493-3<\/p>\n<\/div>\n <\/li>\n

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    Ein Redaktionsprojekt, das von Beppe Finessi entworfen und geleitet, von Corraini herausgegeben und von Foscarini gef\u00f6rdert und unterst\u00fctzt wird.<\/p>\n<\/div>\n <\/li>\n <\/ul>\n\n <\/div>\n

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    Die 10. Ausgabe ist ein wichtiger Meilenstein f\u00fcr Bookzine, nachdem es den Compasso d’Oro als unabh\u00e4ngiger Bereich f\u00fcr Ideen, Anregungen und Kurioses erhielt.<\/h2>\n<\/div>\n

    \u201eAls wir dieses au\u00dfergew\u00f6hnliche Abenteuer begonnen haben\u201c, erz\u00e4hlt Carlo Urbinati, Pr\u00e4sident von Foscarini, \u201ekonnten wir nicht ahnen, dass das Projekt ein so gro\u00dfer Erfolg werden w\u00fcrde. INVENTARIO w\u00e4chst weiter und best\u00e4tigt seine Besonderheit: Es erforscht, analysiert, vertieft, findet eine Projektlinie in den \u00fcberraschendsten Themen.\u201c Als eine Mischung von Buch und Zeitschrift bedient sich INVENTARIO origineller kritischer Beitr\u00e4ge, um die verschiedenen Bereiche der Kreativit\u00e4t zu erforschen, ausgehend von einfachen und allt\u00e4glichen Gegenst\u00e4nden, die in einem Universum der Bedeutungen eingebettet sind, wie dem Fu\u00dfball, dem Protagonisten der Titelseite der 10. Ausgabe, oder dem Regenschirm, den Michela Dossi in seinen unterschiedlichsten Varianten untersucht, w\u00e4hrend sich Giulio Iacchetti seine grafischen und kritischen \u00dcberlegungen dem Zubeh\u00f6r Schirmst\u00e4nder widmet und Nicola Locatelli ihn als Leidenschaft-Besessenheit von Erik Satie offenbart. \u201eMit diesen ersten zehn Ausgaben wollten wir eine neue Art und Weise schaffen, um all das zu sammeln und zu ordnen, was sich die interessantesten K\u00f6pfe dieser Welt in den verschiedenen Fachbereichen vorstellen\u201c, meint Beppe Finessi, \u201ezwischen der formalen Leichtigkeit und den grafischen Erfindungen des k\u00fcnstlerischen Leiters Artemio Croatto und seinem Designwork-Team und der besten Kunstkritik seitens verschiedenster Autoren\u201c. Wie immer ist Foscarini nur zu Beginn und am Ende der Zeitschrift vertreten, in der Interpretation eines stets anderen Fotografen. So entstand, Ausgabe um Ausgabe, eine Galerie mit Autorenbildern, die die Handschrift von Massimo Gardone, Max Rommel, Moreno Gentili, Lena Amuat, Emmanuel Mathez, Gionata Xerra, Sanja Pupovac, Claudio Gobbi, Jonathan Frantini tragen, zu denen sich in der 10. Ausgabe Federico Ferrari gesellt.<\/p>\n<\/div>\n <\/div>\n <\/div>\n<\/section>

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    <\/h4><\/div>
    • I \u2014 140.\u00a0<\/h5>
      Copertina \/ Cover<\/h6>

      Pallone da calcio \/ Football<\/p><\/div><\/li>

    • I \u2014 141.<\/h5>
      Assoluti \/ Absolutes<\/h6>

      Antony GormleySpace, 1985di \u2044 by Deborah Duva<\/p><\/div><\/li>

    • I \u2014 142.<\/h5>
      L\u2019architettura dell\u2019Arte \u2044 The architecture of Art<\/h6>

      Siah Armajanidi \u2044 by Marcel Mauer<\/p><\/div><\/li>

    • I \u2014 143.<\/h5>
      Normali Meraviglie \u2044 Normal Wonders<\/h6>

      Enzo MariPerch\u00e9 una mostra di falci?\u2044 Why an exhibition of scythes?di \u2044 by Daniele Greppifotografie \u2044 photographsBenvenuto Saba<\/p><\/div><\/li>

    • I \u2014 144.<\/h5>
      Inventario per Autori \u2044 Personal Inventory<\/h6>

      Andrea Anastasiodi \u2044 by Cristina Miglio<\/p><\/div><\/li>

    • I \u2014 145.<\/h5>
      Vite come Progetto \u2044 Lives as Projects<\/h6>

      \u00a0Erik Satie di \u2044 by Nicola Locatelli disegni \u2044 drawings Marco Manini<\/p><\/div><\/li>

    • I \u2014 146.\u00a0<\/h5>
      Temporalia<\/h6>

      Ombrello \u2044 Umbrelladi \u2044 by Michela Dossi<\/p><\/div><\/li>

    • I \u2014 147. <\/h5>
      Brevi Note \u2044 Short Notes<\/h6>

      Portaombrelli \u2044 Umbrella standstesti e disegni di\u2044 texts and drawingsby Giulio Iacchetti<\/p><\/div><\/li>

    • I \u2014 148. <\/h5>
      Nuovi Maestri \u2044 New Masters<\/h6>

      Robert Stadlerdi \u2044 by Marco Romanelli<\/p><\/div><\/li>

    • I \u2014 149. <\/h5>
      Saper Fare \u2044 Savoir-faire<\/h6>

      F\u00f3rcoladi \u2044 by Arianna Panarellafotografie \u2044 photographsMassimo Gardone<\/p><\/div><\/li>

    • I \u2014 150. <\/h5>
      Miti d\u2019Oggi \u2044 Myths of Today<\/h6>

      Enric Mirallesdi \u2044 by Michele Calzavara<\/p><\/div><\/li>

    • I \u2014 151. <\/h5>
      Normali Meraviglie \u2044 Normal Wonders<\/h6>

      Domi Mora, Alfabeto\/Alphabet, Huesca, 1994<\/p><\/div><\/li>

    • I \u2014 152.<\/h5>
      Altri Casi, Altre Case \u2044 Other Cases, Other Houses<\/h6>

      Cinque piante \u2044 Five plansdi \u2044 by Corrado Levi<\/p><\/div><\/li>

    • I \u2014 153. <\/h5>
      Manuale dell’Architetto \u2044 Architect’s Manual<\/h6>

      Labirinti \u2044 Labyrinthsdi \u2044 by Francesco M. Cataluccioricerche e commenti\u2044 researches and descriptionsLorena Tonin<\/p><\/div><\/li>

    • I \u2014 154. \u00a0<\/h5>
      Specie di Spazi \u2044 Species of Spaces<\/h6>

      Janet Cardiff & George Bures MillerThe Paradise Institute, 2001di \u2044 by Matteo Pirola<\/p><\/div><\/li>

    • I \u2014 155. <\/h5>
      Assoluti \u2044 Absolutes<\/h6>

      Lucio BattistiDon Giovanni, 1986di \u2044 by Paolo Bocchi<\/p><\/div><\/li><\/ul><\/div><\/div><\/div>","protected":false},"featured_media":5701,"template":"","class_list":["post-27230","inventario","type-inventario","status-publish","has-post-thumbnail","hentry"],"acf":{"preview_slider":{"titolo":"Inventario \u00b010","testo":"Die 10. 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